White Passage
“In White Passages, duality is expressed though light and dark, negative space and positive form, but Longo attempts to give each element an equal and conceptual weight…. Zen-inspired compositions for the shakuhachi, the traditional Japanese bamboo flute, have exerted a particular type of influence over her conception of space. Emphasis on the meaning of emptiness, the silence between notes as a positive element of music, is fundamental to the tonal contrasts in her paintings and to the relationship between line and plane.”
-Glenn B. Brown, Asian Art News, Associate Professor of Art History, Kansas State University
White Passage #1, 1998
Charcoal, acrylic, oil on panels
30 x 46 in. (diptych)
White Passage #2, 1998 (SOLD)
Charcoal, acrylic, oil on panel
30 x 24 in.
White Passage #3, 1998
Charcoal, acrylic, oil on panel
30 x 24 in.
White Passage #10, 1998
Charcoal, acrylic, oil on panel
36 x 26 in.
White Passage #21
White Passage #22
White Passage #23
White Passage #29, 2000
Charcoal, acrylic, oil on panel
59 x 36 in.
White Passage #46, 2006
Charcoal, acrylic, oil on panels
40 x 60 in. (diptych)
White Passage #91